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Babeworld x utopian_realism

Having built a relationship with Babeworld through an invitation to be in residence at Wysing Arts Centre in 2021/2022, Grand Union co-programme director Hannah Wallis has been developing long-term commitments to artists across organisations, timescales and towards anti-ableist futures

Based on the understanding that organisations cannot inherently ever promise complete safety due to systemic structures, Hannah and Grand Union are continually working to build trust, long-term careful working practices and meaningful embedded anti-ablesit frameworks. 

Continuing conversations from Wysing, Babeworld were invited to respond to Grand Union’s programme and in Spring/ Summer 2024 we presented their biggest exhibition to date, Love is Real, and it’s Inside Of My Computer.

Riffing off the very idea of the invitation itself with their usual verve and humour and working in collaboration with sound artist utopian_realism, the collective presented a project that reflected on the ever ubiquitous need within the arts to have new and innovative ideas.

Told through the eyes of a neurodivergent coded character, the project plays on the structures of the gallery and art world, asking us to question and renegotiate how we define what is considered ’new’, ‘exciting’, and ‘taste making’ in the arts.

The project comprised of an exhibition in the gallery and a series of events that connect in particular with a neurodiverse public.

A landscape image of an exhibition designed to look like a pale pink bedroom. The bedroom contains a messy desk holding a computer set up. Lots of pictures and posters are pinned up on the walls, and stuffed toys sit on a shelf and the floor next to a grey sofa.

Install shot of ‘Love is Real and it’s Inside Of My Computer’ by Babeworld x utopian_realism, exhibition at Grand Union, 2024. Photo by Patrick Dandy.

'Love is Real, and It's Inside Of My Computer' opened at Grand Union in May 2024, and ran until August of the same year.

Working in partnership with the University of Birmingham MA Curating cohort we hosted a series of events that explored another side of ‘masking’ and emotional mapping than otherwise anticipated, providing an opportunity for Grand Union to reflect crucially on what and how we are teaching in the field of curatorial practice today.

The exhibition was presented alongside online screenings of the core artistic commission and an in-depth audio-described video walkthrough of the show for those unable to visit the gallery itself. 

The project with Babeworld marked a significant shift in how the public are invited to experience exhibitions and associated events at Grand Union, which will continue into the future. 

We often talk about long-term working practices with artists, however these often end with a culminating exhibition, frequently seen as the final presentation of a working relationship between artist and organisation. However with Babeworld we have continued to work together through their iterative and collaborative projects since presenting Love Is Real. 

In April 2025, we hosted an online screening of ‘Would You Rather’, a film exploring the experiences of a mentally ill autistic person outlining their approach to social interactions in their day-to-day and their professional life as an artist. Shot and edited over two days, this film was an experiment in alternative ways of scheduling creative work. With the dates and pace for filming left undefined, and instead harnessing a phase of acute mania that could not be planned with diaries, taking an experimental approach to productivity that allows it to sit symbiotically with the ebbs and flows of mental illness.

We will be supporting a partnership project with Babeworld in 2026. More information will be shared here in the coming months.