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Grand Union x Bruntwood

Grand Union and Bruntwood are working in partnership to offer the opportunity for Artists to be in residence in Bruntwood’s Cornwall Buildings in Birmingham city centre.

The programme provides a free and specially designed studio space for artists who would be interested in working in residence within the frame and environment of another organisation.

As Birmingham approaches an unprecedented surge in growth, it is vital that the city’s arts and culture scene continues to be supported, as well as developing the city’s home-grown talent. Bruntwood is a leading property developer across the North of England and Birmingham. As a group, Bruntwood has a long-term commitment to creating thriving cities, and recognises that both arts and culture are key components to a city’s quality of life, as well as being powerful economic drivers.

Grand Union is committed to providing access to spaces for supporting and advocating for artistic practice in Birmingham and wider social contexts. This artist residency and studio space initiative, in partnership with Bruntwood, sits alongside Grand Union’s existing provision of 12 artists’ studios and Modern Clay, a ceramics facility offering open access to artists and community groups in the region.

A call-out for the residency goes out every 12-18 months. Our next call-out will be in Summer 2026. 

A portrait image of a cluttered studio space, with pale walls, a parquet wood floor, and overhead lighting. The image focusses on a wall filled with framed, expressive paintings with mythic theming, such as a knight with an arrow through their chest. A table filled with paint tubes, bottles of turpentine, and brushes sits in front of the wall, and this equipment spills onto the floor as well.

Image courtesy of Amaan Jahangir, 2025.

Current Bruntwood Studio Artists:

A landscape image of a person with long dark hair smiling at the camera, they wear a pale blue button down shirt and stand against a white brick wall. They are illuminated by the daylight flooding through the window behind them.

The work Natasha makes explores the layered experience of existing as a British Punjabi Lesbian through subverting traditional craft processes and using them to tell contemporary narratives. Natasha comes from a family of tailors that used their hands to make a living, this connection to material is something that she carries into her art making through drawing, ceramics, and printmaking. 

To Natasha, drawing is an act of personal meditation, a space to manifest queer utopias, work through her thoughts and find an entry point to have conversations about complex experiences. Her ceramic work – ornate goblets, bowls and incense holders – explore themes of ritual and self-honouring.

Natasha’s practice is a celebration of brown queer joy, a reflection on belonging, and an ongoing dialogue between where she comes from and who she is.

You can find out more about Natasha Taheem by clicking here.

A landscape image of a person with long curly hair sitting in a gallery space. They have their eyes closed and look away from the camera, they are surrounded by artworks and colorful books and other objects. They hold white papers and pale wooden frames in their hands.
Courtenay Welcome is an Artist, Activist, Creative Director, Critical Thinker.
‘● ●’ The work aims to expand our understanding of sculpture and painting, with a special interest in the ways that these mediums can become one. Exploring the rich complexities of race, memory, space and time. Held by a critical infrastructure that examines pre-existing texts, these texts illustrate dreams, love, race relations and revolutionary thought. Disrupting pre-existing ways of looking and thinking about images and objects in space. Experimental mark makings relationship to the body and its emotions, these explorations are often in critical dialogue with a history of refusal.

You can find out more about Courtenay Welcome by clicking here.

Former Bruntwood Studio Artists:

Bunny Bissoux

a square image of a person with short dark hair standing outdoors. The person wears black headphones and looks directly at the camera. Behind them a blue sky and green grass are visible.

Bunny Bissoux is an artist and illustrator working in a variety of evolving forms and mediums. Drawing, collecting, self-documentation, zine-making, storytelling and photography are integral parts of their creative practice.

Focusing on recurring themes including popular culture, gender, desire, queer identity, consumerism, nostalgia, and obsession. Bunny’s most recent work explores grief and displacement through imagined narratives, personal archives, and cultural research.

Whilst living in Tokyo for over a decade, Bunny has produced numerous publications and exhibited across Japan and South Korea. Returning to Birmingham in 2022, they are best known locally for their visual contributions to the Home of Metal project.

 

Amaan Jahanghir

 A portrait image of a young man sitting on a chair and looking off to the side, smiling, in front of a white background. The man wears a dark outfit and holds a white mug in front of him.

Amaan Jahangir is a UK-based artist specializing in contemporary painting and drawing. His artistic focus delves into the intricate facets of the human condition and the narratives that shape our culture and ideologies. Through his work, he employs vibrant and deliberate colour choices, serving as a visual conduit for everlasting emotions, memorable encounters, and profound moments.

Amaan’s creations exhibit an unpredictable nature, intentionally mirroring the raw and immediate essence of passion and intimacy. He aims to encapsulate the idea of structured chaos, mirroring the complexities of life and our intimate experiences. Within this artistic endeavour, Amaan attempts to capture the elusive and vivid language that often remains unspoken, bridging the gap between thoughts and words.

The call out for the Bruntwood 2025 residency opportunity is now live