Join us for June’s Digbeth First Friday to celebrate the launch of ‘Matter Out of Place’, an exhibition curated in collaboration with the University of Birmingham’s 2026 MA Art History and Curating Cohort, marking Grand Union’s eighth year working with UoB.
‘Matter Out of Place’ gathers 11 Grand Union studio artists who recover the discarded, inviting them to respond to ideas of waste in relation to their own practices and the context they work in. Guided by the assertion that ‘waste is matter out of place’, this exhibition seeks to expand understandings of how the neighbourhood, materiality, and artistic practice shape and subvert understandings of waste and re-use.
Featuring work by Simon and Tom Bloor, Roo Dhissou, Sireen Martin, Joanne Masding, Farwa Moleldina, David Rowan, Sarah Taylor Silverwood, Natasha Taheem, Courtenay Welcome, Matt Westbrook, Stuart Whipps, and Nilupa Yasmin, ‘Matter Out of Place’ invites you to reconsider how we commune with waste.
About the Artists
Simon and Tom BloorOpen accordion
Simon & Tom Bloor (both born Birmingham, 1973) are artists who make works for and about public space, developed from their shared experience of growing up in a post-industrial city and its legacy of regeneration. Addressing the histories and fabric of the built environment they view the urban landscape half through rose tinted spectacles and half a cynical gaze. Running throughout their practice is a playful optimism about the relationship between the built environment and those who use it.
Past solo exhibitions and public artworks include Istla, Holmi Park, Tartu, Estonia (2024), Pallet Stack, Warwick Arts Centre, Coventry (2022), Bluecoat Platform, Bluecoat, Liverpool (2021), THE CITY IS WHERE WE’RE GOING NEXT, Baltic, Gateshead, (2019), Structure for the City Observatory, Collective Gallery, Edinburgh (2016), Urban Studies, The Gallery, De Montfort University, Leicester (2016) and Loose Parts, Whitechapel Gallery, London (2013)
Roo Dhissou and Oliver RomoffOpen accordion
Sireen MartinOpen accordion
Sireen Martin’s work explores the point of intersection where the digital domain merges with the physical and metaphysical space. Her work takes on the form of abstract landscapes and sculptural works, often merging organic, naturalistic forms with man-made structures. Through her practice, she uses fictional worlds to explore the ways digital spaces shape reality and spirituality as well as how the coexistence of digital and physical environments could be reimagined, often speculating on the possibilities of future worlds and systems.
Joanne MasdingOpen accordion
Farwa MoleldinaOpen accordion
David RowanOpen accordion
Sarah Taylor SilverwoodOpen accordion
Sarah Silverwood is an artist based in Birmingham, originally from The Forest of Dean. Sarah’s drawing practice works across animation, textiles, ceramics, sculpture and print. Combining her interests in making, storytelling and working with other people, she creates artwork for exhibitions, the public realm and the home.
Sarah often revisits narratives that have become fixed by familiarity, and through drawing, reanimates them. She is continually researching making techniques and experimenting with materials, developing the practical application of drawing in response to the ideas she is working with.
Current projects include a film commission with Animate Projects (2025-26), Artist in Residence at Warwick Arts Centre (2025-26), new public art works with Hospital Rooms (2024), Eastside Projects (2025), Meadow Arts (2025) and Fermynwoods (2023). Recent solo exhibitions include Love Bugs at Chapter, Cardiff (2021), Daphne at Aspex Portsmouth (2020) and The New Art Gallery Walsall (2019), and Crowd Show at NN Contemporary (2018). Sarah was artist in residence at The British Consulate in Chicago (2014) and The University of Birmingham (2013), and recipient of the 2019 Feeney Fellowship.
Natasha TaheemOpen accordion
Natasha Taheem is an artist working across drawing and printmaking. Her practice explores desire, expectation and social structures through bold graphic works and expressive ink drawings. Her visual language is playful and warm, holding tension, humour and resistance as a way to navigate lived experience.
Courtenay WelcomeOpen accordion
Matt WestbrookOpen accordion
Stuart WhippsOpen accordion
Stuart Whipps often makes work about things he doesn’t understand and doesn’t know how to do. Recently this includes restoring a 1979 Mini with the assistance of former British Leyland workers, training to make geological thin sections at the University of Birmingham, and propagating Begonias at West Dean in Sussex.
He has exhibited his work across the UK and internationally and is the recipient of a number of awards. He works predominantly with photography and video with occasional forays into sculpture.
Nilupa YasminOpen accordion
Access Information
Grand Union is located up two flights of stairs with no lift access.
There is a spacious gender neutral bathroom on site with no mobility aids.
There will be a pay bar serving alcoholic and soft drinks.
Exact timings for the evening will be shared here in due course.
There will be masks and hand sanitiser at the entrance to Grand Union available for your use.
Photography will be taking place on site for documentation purposes and these images may be used on our social media, website, in reporting, and other places.
Please get in touch via email at info@grand-union.org.uk or phone at 0121 643 9079 for any questions or to discuss access further.
This exhibition has been co-curated by Jess Ball, Diana Gaona Herrera, Xin Li, Tianxin Ma, George Millership, Scarlett Ross, Maren Rushton.












