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June Digbeth First Friday: UoB x GU – ‘Matter Out of Place’ Launch

5 June 20266–8pm

Join us for June’s Digbeth First Friday to celebrate the launch of ‘Matter Out of Place’, an exhibition curated in collaboration with the University of Birmingham’s 2026 MA Art History and Curating Cohort, marking Grand Union’s eighth year working with UoB.

‘Matter Out of Place’ gathers 11 Grand Union studio artists who recover the discarded, inviting them to respond to ideas of waste in relation to their own practices and the context they work in. Guided by the assertion that ‘waste is matter out of place’, this exhibition seeks to expand understandings of how the neighbourhood, materiality, and artistic practice shape and subvert understandings of waste and re-use.

Featuring work by Simon and Tom Bloor, Roo Dhissou, Sireen Martin, Joanne Masding, Farwa Moleldina, David Rowan, Sarah Taylor Silverwood, Natasha Taheem, Courtenay Welcome, Matt Westbrook, Stuart Whipps, and Nilupa Yasmin, ‘Matter Out of Place’ invites you to reconsider how we commune with waste.

About the Artists

Simon & Tom Bloor (both born Birmingham, 1973) are artists who make works for and about public space, developed from their shared experience of growing up in a post-industrial city and its legacy of regeneration. Addressing the histories and fabric of the built environment they view the urban landscape half through rose tinted spectacles and half a cynical gaze. Running throughout their practice is a playful optimism about the relationship between the built environment and those who use it.

 

Past solo exhibitions and public artworks include Istla, Holmi Park, Tartu, Estonia (2024), Pallet Stack, Warwick Arts Centre, Coventry (2022), Bluecoat Platform, Bluecoat, Liverpool (2021), THE CITY IS WHERE WE’RE GOING NEXT, Baltic, Gateshead, (2019), Structure for the City Observatory, Collective Gallery, Edinburgh (2016), Urban Studies, The Gallery, De Montfort University, Leicester (2016) and Loose Parts, Whitechapel Gallery, London (2013)

Roo Dhissou is an artist and researcher based in Birmingham, working across sculpture, installation and ethical socially engaged practice. Her work often focuses on community, care, social and disability justice through collaborative approaches that’s take on various forms.
Oliver Romoff is an immersive sound artist, multi-instrumentalist and performer based in the West Midlands. In their arts practice, they express fuzzy feelings about place, memory and the natural environment through immersive installations, collaged sonic environments and live performance.
Together, they collaborate on sound-based projects, creating immersive audio works that explore atmosphere, perception and listening as shared experience.

Sireen Martin’s work explores the point of intersection where the digital domain merges with the physical and metaphysical space. Her work takes on the form of abstract landscapes and sculptural works, often merging organic, naturalistic forms with man-made structures. Through her practice, she uses fictional worlds to explore the ways digital spaces shape reality and spirituality as well as how the coexistence of digital and physical environments could be reimagined, often speculating on the possibilities of future worlds and systems.

I am an artist based in Birmingham, UK. I work with sculptural materials including clay, plastic and metal, as well as using writing and words as materials and tools for building objects. Using making and remaking processes I produce new versions and translations of artifacts that I can hold and interrogate with my fingers. I want to know things with my body rather than know than about things with my head.
I have exhibited nationally and internationally, including solo exhibitions and projects with Bluecoat, Liverpool, UK; New Art Gallery, Walsall, UK; TACO!, London, UK; Temple Bar Gallery, Dublin, Ireland and 501 Artspace, Chongqing, China. I have presented work in group exhibitions including with Holborne Museum, Bath, Workplace, Gateshead, IMT Gallery, London and Eastside Projects, Birmingham. My debut novel-as-artwork, Body of Pieces, launched in 2024.
I’ve been awarded fellowships, grants and awards from bodies including John Feeney Charitable Trust and Arts Council England. In 2021 I received by nomination a Henry Moore artist award; a nationally recognized output for my commitment to the field of sculpture.
I am currently undertaking a research project to investigate the potential for practice to create new ways of accessing museum objects that can’t be touched. My second novel, Mermaid’s Taxonomy is also in progress.
Farwa Moledina’s work centers conversations between faith, physical space and cultural experience. Her work fosters nuanced perspectives on Islamic tradition and the portrayal of Muslim women in contemporary art through intimate explorations of motherhood and critiques of colonial and Orientalist mythologies.
Her works prominently feature recurring patterns influenced by characteristics of Islamic design: symmetry, abstraction and recurrence. Often materialising as expansive textile-based installations suspended in space, framed compositions, or more recently, architectural spaces inspired by her Arab and Muslim heritage.
David Rowan is a visual artist based in Birmingham U.K. Working professionally as a photographer for over 20 years in the cultural heritage and commercial sectors, David has produced thousands of artworks for art galleries, universities, advertising agencies and private clients.
His work is regularly published in national and international press, news media, art journals and digital channels. He works to private commission and in collaboration with artists, curators and galleries throughout the U.K. He produces bodies of work for international print publications, projects and exhibitions.
His work is held within the permanent collections of The Library of Birmingham, The University of Birmingham, The Garman Ryan Collection at The New Art Gallery Walsall and in several private collections.

Sarah Silverwood is an artist based in Birmingham, originally from The Forest of Dean. Sarah’s drawing practice works across animation, textiles, ceramics, sculpture and print.  Combining her interests in making, storytelling and working with other people, she creates artwork for exhibitions, the public realm and the home.

Sarah often revisits narratives that have become fixed by familiarity, and through drawing, reanimates them. She is continually researching making techniques and experimenting with materials, developing the practical application of drawing in response to the ideas she is working with.

Current projects include a film commission with Animate Projects (2025-26), Artist in Residence at Warwick Arts Centre (2025-26), new public art works with Hospital Rooms (2024), Eastside Projects (2025), Meadow Arts (2025) and Fermynwoods (2023). Recent solo exhibitions include Love Bugs at Chapter, Cardiff (2021), Daphne at Aspex Portsmouth (2020) and The New Art Gallery Walsall (2019), and Crowd Show at NN Contemporary (2018). Sarah was artist in residence at The British Consulate in Chicago (2014) and The University of Birmingham (2013), and recipient of the 2019 Feeney Fellowship.

Natasha Taheem is an artist working across drawing and printmaking. Her practice explores desire, expectation and social structures through bold graphic works and expressive ink drawings. Her visual language is playful and warm, holding tension, humour and resistance as a way to navigate lived experience.

Courtenay Welcome is an Artist, Activist, Creative Director, Critical Thinker.
‘● ●’ The work aims to expand our understanding of sculpture and painting, with a special interest in the ways that these mediums can become one. Exploring the rich complexities of race, memory, space and time. Held by a critical infrastructure that examines pre-existing texts, these texts illustrate dreams, love, race relations and revolutionary thought. Disrupting pre-existing ways of looking and thinking about images and objects in space. Experimental mark makings relationship to the body and its emotions, these explorations are often in critical dialogue with a history of refusal.
Matt Westbrook (b. 1977) is an artist and educator, and a founding member of Grand Union Studios & Gallery. Born in Portsmouth, he is based in Birmingham, where he leads the Foundation Diploma in Art and Design at Dudley College and is a visiting lecturer at Loughborough University.
Westbrook works primarily with collage, using found photographs from scientific, engineering, and architectural publications. By cutting, combining, and reworking these images, often within simple self-set limits, he creates new scenes that invite viewers to look closely and find unexpected connections.
His practice reflects how hands-on making can continue to shape visual culture in an increasingly digital world. Recent exhibitions include ‘POST-Card’ at Nobel and Common Gallery, Worcester and ‘2126:What if?’, at Aspex Gallery Portsmouth. His work is held in the collections of Deutsche Bank, Bruntwood, and the University of Birmingham.

Stuart Whipps often makes work about things he doesn’t understand and doesn’t know how to do. Recently this includes restoring a 1979 Mini with the assistance of former British Leyland workers, training to make geological thin sections at the University of Birmingham, and propagating Begonias at West Dean in Sussex.

 

He has exhibited his work across the UK and internationally and is the recipient of a number of awards. He works predominantly with photography and video with occasional forays into sculpture.

Nilupa Yasmin is an award-winning artist and educator with a primarily lens-based practice. She explores the principles of art and craft and the expanded materiality within photography.
Yasmin is interested in the notion of culture, self-identity, and anthropology. Whilst investigating ideals and traditions that are close to home, she repeatedly draws upon her own identity through gender, religion and her British Bangladeshi culture and heritage. An element of her practice focuses on socially engaged photography, she works collaboratively with various communities to produce and curate works of Art.

Access Information

Grand Union is located up two flights of stairs with no lift access.

There is a spacious gender neutral bathroom on site with no mobility aids.

There will be a pay bar serving alcoholic and soft drinks.

Exact timings for the evening will be shared here in due course.

There will be masks and hand sanitiser at the entrance to Grand Union available for your use.

Photography will be taking place on site for documentation purposes and these images may be used on our social media, website, in reporting, and other places.

Please get in touch via email at info@grand-union.org.uk or phone at 0121 643 9079 for any questions or to discuss access further.

This exhibition has been co-curated by Jess Ball, Diana Gaona Herrera, Xin Li, Tianxin Ma, George Millership, Scarlett Ross, Maren Rushton.