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A landscape image of aged papers featuring illustrations of Dodo birds. There is small, illegible handwriting in the bottom left corner of the image, and the Dodo bird illustrations appear to be hand drawn. The image evokes 19th-century scientific studies cataloguing species.
A landscape film still, featuring a hand holding a photograph of a landscape, featuring fields and trees tolling into the horizon, in front of the same landscape featured in the photograph. The image is slightly hard to make out, due to the warm, orangey tones filtered over the picture, that obscure some of the detail, giving a burnt out, hazy quality to the image. White text at the centre of the image reads 'A poignant and pivotal final shot.'
A landscape film still featuring an abstracted graphic on a plain black background. The graphic is abstract, but it evokes organic, biological imagery, such as cells under a microscope and plant matter, in tones of green, brown, and blue, with yellow and orange details. White text, in a font that looks like a handwritten scrawl, reads ‘TR333’, diagonally across the centre of the image.
A landscape image of aged papers featuring illustrations of Dodo birds. There is small, illegible handwriting in the bottom left corner of the image, and the Dodo bird illustrations appear to be hand drawn. The image evokes 19th-century scientific studies cataloguing species.

Production still from ‘Dead as a Dodo’, (2022) by Leena Habiballa. Image courtesy of the Artist.⁠

A landscape film still, featuring a hand holding a photograph of a landscape, featuring fields and trees tolling into the horizon, in front of the same landscape featured in the photograph. The image is slightly hard to make out, due to the warm, orangey tones filtered over the picture, that obscure some of the detail, giving a burnt out, hazy quality to the image. White text at the centre of the image reads 'A poignant and pivotal final shot.'

Production still from ‘Coaley Peak (A Fragment)’, Dan Guthrie, 2021. Courtesy of the artist.⁠

A landscape film still featuring an abstracted graphic on a plain black background. The graphic is abstract, but it evokes organic, biological imagery, such as cells under a microscope and plant matter, in tones of green, brown, and blue, with yellow and orange details. White text, in a font that looks like a handwritten scrawl, reads ‘TR333’, diagonally across the centre of the image.

Production still from ‘TR333’ by April Lin 林森, 2021. Image courtesy of the Artist.

Online Screening: A selection from ‘Free to Forage’ by T A P E Collective

25 March – 22 April 2024

We are delighted to be collaborating with T A P E Collective to present a showreel of three short films from their ‘Free To Forage’ Showcase.

Funded by Arts Council England, the ‘Free to Forage’ programme collaborates with and highlights cultural producers, whose work shifts our attention to nature to address colonial legacies, diasporic experiences, land and environmental justice.

The programme explores moving image and short film work which delves into questions of reclaiming nature, belonging, and healing the severed relationships between living beings.

This showreel features work by April Lin, Leena Habiballa, and Dan Guthrie. The films are available via our website homepage from March 25 to April 22.

Access: All films are available with captions, the total run time is 21.25 minutes.

You can watch the films here →
‘Free to Forage’, is a showcase of work by mixed heritage creative practitioners reconnecting with nature and its intersection with social justice, co-curated with moving image artist Reman Sadani.